When you want a dog to head your way, you would typically say something like “Here, boy!”
When you want a cat to come in for the night, you’re likely to sing the refrain “Here, kitty, kitty, kitty!”
But what do you do when you want a cow to come your way? This is a dilemma I faced while recording my latest video training title, Time-Lapse Photography Workshop. We had been driving around through the mountains, hoping to find either some nice cloud development or cows grazing in a field. So I felt incredibly lucky when we drove around a corner through a valley to find both in the same place.
As we approached, the cows were right up against the fence, and they seemed very curious about what we were doing, milling about and mooing in our general direction. I eagerly started setting up my tripod with a wide-angle lens, getting everything configured for my time-lapse. But since I would be recording a training video I didn’t immediately start capturing the frames of the time-lapse — I wanted the viewer to see me doing that on camera.
We set up quickly, and I started introducing the topic — but after a couple of sentences, a loud tractor approached to turn the hay in a neighboring field. It was too noisy, and we had to stop recording for about ten minutes.
And of course, during that ten minutes the cows decided they were no longer curious about the crew and all of our equipment. They also decided they had enough to eat for the time being, and it was time to gather in the middle of the field (far from the fence), to lay down and digest. The great time-lapse I anticipated was no longer what I envisioned.
We started recording anyway, and I initiated the time-lapse capture, hoping that during the period of about 45 minutes when I would be capturing frames, the cows would get curious and approach our position again. A few did, but most didn’t. The time-lapse was still cool, but I think it could have been so much cooler!
The lesson? Sometimes the photography really has to come first. Even though I was about to go on camera to demonstrate the technique of setting up and capturing a time-lapse video, I should have started the time-lapse as soon as I got set up in front of a cool subject. On camera I could have always explained to the viewer that the scene was just too good to pass up, and that I had already started capturing my frames. Then I could talk about the settings I had used for the captures, while the camera kept shooting all along.
You would have forgiven that, right?



